VOICES - By Alice Monro
When my mother was growing up, she and her whole family would go to
dances. These would be held in the schoolhouse, or sometimes in a
farmhouse with a big enough front room. Young and old would be in
attendance. Someone would play the piano — the household piano or the
one in the school — and someone would have brought a violin. The square
dancing had complicated patterns or steps, which a person known for a
special facility would call out at the top of his voice (it was always
a man) and in a strange desperate sort of haste which was of no use at
all unless you knew the dance already. As everybody did, having learned
them all by the time they were ten or twelve years old.
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Married now, with three of us children, my mother was still of an age
and temperament to enjoy such dances if she had lived in the true
countryside where they were still going on. She would have enjoyed too
the round dancing performed by couples, which was supplanting the old
style to a certain extent. But she was in an odd situation. We were.
Our family was out of town but not really in the country.
My father, who was much better liked than my mother, was a man who
believed in taking whatever you were dealt. Not so my mother. She had
risen from her farm girl’s life to become a schoolteacher, but this was
not enough, it had not given her the position she would have liked, or
the friends she would have liked to have in town. She was living in the
wrong place and had not enough money, but she was not equipped anyway.
She could play euchre but not bridge. She was affronted by the sight of
a woman smoking. I think people found her pushy and overly grammatical.
She said things like “readily” and “indeed so.” She sounded as if she
had grown up in some strange family who always talked that way. And she
hadn’t. They didn’t. Out on their farms, my aunts and uncles talked the
way everybody else did. And they didn’t like my mother very much,
either.
I don’t mean that she spent all her time wishing that things weren’t as
they were. Like any other woman with washtubs to haul into the kitchen
and no running water and a need to spend most of the summer preparing
food to be eaten in the winter, she was kept busy. She couldn’t even
devote as much time as she otherwise would have done in being
disappointed with me, wondering why I was not bringing the right kind
of friends, or any friends at all, home from the town school. Or why I
was shying away from Sunday School recitations, something I used to
make a grab at. And why I came home with the ringlets torn out of my
hair — a desecration I had managed even before I got to school, because
nobody else wore their hair the way she fixed mine. Or indeed why I had
learned to blank out even the prodigious memory I once had for reciting
poetry, refusing to use it ever again for showing off.
But I am not always full of sulks and disputes. Not yet. Here I am when
about ten years old, all eager to dress up and accompany my mother to a
dance.
The dance was being held in one of the altogether decent but not
prosperous-looking houses on our road. A large wooden house inhabited
by people I knew nothing about, except that the husband worked in the
foundry, even though he was old enough to be my grandfather. You didn’t
quit the foundry then, you worked as long as you could and tried to
save up money for when you couldn’t. It was a disgrace, even in the
middle of what I later learned to call the Great Depression, to find
yourself having to go on the Old Age Pension. It was a disgrace for
your grown children to allow it, no matter what straits they were in
themselves.
Some questions come to mind now that didn’t then.
Were the people who lived in the house giving this dance simply in
order to create some festivity? Or were they charging money? They might
have found themselves in difficulties, even if the man had a job.
Doctor’s bills. I knew how dreadfully that could fall upon a family. My
little sister was delicate, as people said, and her tonsils had already
been removed. My brother and I suffered spectacular bronchitis every
winter, resulting in doctor’s visits. Doctors cost money.
The other thing I might have wondered about was why I should have been
chosen to accompany my mother, instead of my father doing that. But it
really isn’t such a puzzle. My father maybe didn’t like to dance, and
my mother did. Also, there were two small children to be looked after
at home, and I wasn’t old enough yet to do that. I can’t remember my
parents ever hiring a babysitter. I’m not sure the term was even
familiar in those days. When I was in my teens I found employment that
way, but times had changed by then.
We were dressed up. At the country dances my mother remembered, there
was never any appearance in those sassy square dance outfits you would
see later on television. Everybody wore their best, and not to do so —
to appear in anything like those frills and neckerchieves that were the
supposed attire of country folk — would have been an insult to the
hosts and everybody else. I wore a dress my mother had made for me, of
soft winter wool. The skirt was pink and the top yellow, with a heart
of the pink wool sewn where my left breast would be one day. My hair
was combed and moistened and shaped into those long fat sausage-like
ringlets that I got rid of every day on the way to school. I had
complained about wearing them to the dance on the grounds that nobody
else wore them. My mother’s retort was that nobody else was so lucky. I
dropped the com- plaint because I wanted to go so much, or perhaps
because I thought that nobody from school would be at the dance so it
didn’t matter. It was the ridicule of my school fellows that I feared
always.
My mother’s dress was not homemade. It was her best, too elegant for
church and too festive for a funeral, and so hardly ever worn. It was
made of black velvet, with sleeves to the elbows, and a high neckline.
The wonderful thing about it was a proliferation of tiny beads, gold
and silver and various colors, sewn all over the bodice and catching
the light, changing whenever she moved or only breathed. She had
braided her hair, which was still mostly black, then pinned it in a
tight coronet on top of her head. If she had been anybody else but my
mother I would have thought her thrillingly handsome. I think I did
find her so, but as soon as we got into the strange house I had to
notice that her best dress was nothing like any other woman’s dress,
though they must have put on their best too.
The other women I’m speaking of were in the kitchen. That was where we
stopped and looked at things set out on a big table. All sorts of tarts
and cookies and pies and cakes. And my mother too set down some fancy
thing she had made and started to fuss around to make it look better.
She commented on how mouthwatering everything looked.
Am I sure she said that — mouthwatering? Whatever she said, it did not
sound quite right. I wished then for my father to be there, always
sounding perfectly right for the occa- sion, even when he spoke
grammatically. He would do that in our house but not so readily outside
of it. He slipped into whatever exchange was going on — he understood
that the thing to do was never to say anything special. My mother was
just the opposite. With her everything was clear and ringing and served
to call attention.
Now that was happening and I heard her laugh, delightedly, as if to
make up for nobody’s talking to her. She was inquiring where we might
put our coats.
It turned out that we could put them anywhere, but if we wanted,
somebody said, we could lay them down on the bed upstairs. You got
upstairs by a staircase shut in by walls, and there was no light,
except at the top. My mother told me to go ahead, she would be up in a
minute, and so I did.
A question here might be whether there could really have been a payment
for attending that dance. My mother could have stayed behind to arrange
it. On the other hand, would people have been asked to pay and still
have brought all those refreshments? And were the refreshments really
as lavish as I remember? With everybody so poor? But maybe they were
already feeling not so poor, with the war jobs and money that soldiers
sent home. If I was really ten, and I think I was, then those changes
would have been going on for two years.
The staircase came up from the kitchen and also from the front room,
joining together into one set of steps that led up to the bedrooms.
After I had got rid of my coat and boots in the tidied-up front
bedroom, I could still hear my mother’s voice ringing out in the
kitchen. But I could also hear music coming from the front room, so I
went down that way.
The room had been cleared of all furniture except the piano. Dark green
cloth blinds, of the kind I thought particularly dreary, were pulled
down over the windows. But there was no dreary sort of atmosphere in
the room. Many people were dancing, decorously holding on to each
other, shuffling or swaying in tight circles. A couple of girls still
in school were dancing in a way that was just becoming popular, moving
opposite each other and sometimes hold- ing hands, sometimes not. They
actually smiled a greeting when they saw me, and I melted with
pleasure, as I was apt to do when any confident older girl paid any
attention to me.
There was a woman in that room you couldn’t help noticing, one whose
dress would certainly put my mother’s in the shade. She must have been
quite a bit older than my mother — her hair was white, and worn in a
smooth sophisticated arrangement of what were called marcelled waves,
close to her scalp. She was a large person with noble shoulders and
broad hips, and she was wearing a dress of golden-orange taffeta, cut
with a rather low square neck and a skirt that just covered her knees.
Her short sleeves held her arms tightly and the flesh on them was heavy
and smooth and white, like lard.
This was a startling sight. I would not have thought it possible that
somebody could look both old and polished, both heavy and graceful,
bold as brass and yet mightily dignified. You could have called her
brazen, and perhaps my mother later did —that was her sort of word.
Someone better disposed might have said, stately. She didn’t really
show off, except in the whole style and color of the dress. She and the
man with her danced together in a respectful, rather absent-minded
style, like spouses.
I didn’t know her name. I had never seen her before. I didn’t know that
she was notorious in our town, and maybe farther afield, for all I knew.
I think that if I was writing fiction instead of remembering something
that happened, I would never have given her that dress. A kind of
advertisement she didn’t need.
Of course, if I had lived in the town, instead of just going in and out
every day for school, I might have known that she was a notable
prostitute. I would surely have seen her sometime, though not in that
orange dress. And I would not have used the word prostitute. Bad woman,
more likely. I would have known that there was something disgusting and
dangerous and exciting and bold about her, without knowing exactly what
it was. If somebody had tried to tell me, I don’t think I would have
believed them.
There were several people in town who looked unusual and maybe she
would have seemed to me just another. There was the hunchbacked man who
polished the doors of the town hall every day and as far as I know did
nothing else. And the quite proper looking woman who never stopped
talking in a loud voice to herself, scolding people who were nowhere in
sight.
I would have learned in time what her name was and eventually found out
that she really did the things I could not believe she did. And that
the man I saw dancing with her and whose name perhaps I never knew was
the owner of the pool room. One day when I was in high school a couple
of girls dared me to go into the poolroom when we were walking past,
and I did, and there he was, the same man. Though he was balder and
heavier now, and wearing shab- bier clothes. I don’t recall that he
said anything to me, but he did not have to. I bolted back to my
friends, who were not quite friends after all, and told them nothing.
When I saw the owner of the pool room, the whole scene of the dance
came back to me, the thumping piano and the fiddle music and the orange
dress, which I would by then have called ridiculous, and my mother’s
sudden appearance with her coat on that she had probably never taken
off.
There she was, calling my name through the music in the tone I
particularly disliked, the tone that seemed to specially remind me that
it was thanks to her I was on this earth at all.
She said, “Where is your coat?” As if I had mislaid it somewhere.
“Upstairs.”
“Well go and get it.”
She would have seen it there if she herself had been upstairs at all.
She must never have got past the kitchen, she must have been fussing
around the food with her own coat unbuttoned but not removed, until she
looked into the room where the dancing was taking place and knew who
that orange dancer was.
“Don’t delay,” she said.
I didn’t intend to. I opened the door to the stairway and ran up the
first steps and found that where the stairs took their turn some people
were sitting, blocking my way. They didn’t see me coming — they were
taken up, it seemed, with something serious. Not an argument, exactly,
but an urgent sort of communication.
Two of these people were men. Young men in Air Force uniforms. One
sitting on a step, one leaning forward on a lower step with a hand on
his knee. There was a girl sitting on the step above them, and the man
nearest to her was pat- ting her leg in a comforting way. I thought she
must have fallen on these narrow stairs and hurt herself, for she was
crying.
Peggy. Her name was Peggy. “Peggy, Peggy,” the young men were saying, in their urgent and even tender voices.
She said something I couldn’t make out. She spoke in a childish voice.
She was complaining, the way you complain about something that isn’t
fair. You say over and over that something isn’t fair, but in a
hopeless voice, as if you don’t expect the thing that isn’t fair to be
righted. Mean is another word to be made use of in these circumstances.
It’s so mean. Somebody has been so mean.
By listening to my mother’s talk to my father when we got home I found
out something of what had happened, but I was not able to get it
straight. Mrs. Hutchison had shown up at the dance, driven by the pool
room man, who was not known to me then as the pool room man. I don’t
know what name my mother called him by, but she was sadly dismayed by
his behavior. News had got out about the dance and some boys from Port
Albert — that is, from the Air Force base — had decided to put in an
appearance as well. Of course that would have been all right. The Air
Force boys were all right. It was Mrs. Hutchison who was the disgrace.
And the girl.
She had brought one of her girls with her.
“Maybe just felt like an outing,” my father said. “Maybe just likes to dance.”
My mother seemed not even to have heard this. She said that it was a
shame. You expected to have a nice time, a nice decent dance within a
neighborhood, and then it was all ruined.
I was in the habit of assessing the looks of older girls. I had not
thought Peggy was particularly pretty. Maybe her make-up had rubbed off
with her crying. Her rolled up mousey-colored hair had got loose from
some of its bobby pins. Her fingernails were polished but they still
looked as if she chewed them. She didn’t seem much more grown up than
one of those whiny, sneaky, perpetually complaining older girls I knew.
Nevertheless the young men treated her as if she was someone who
deserved never to have encoun- tered one rough moment, someone who
rightfully should be petted and pleasured and have heads bowed before
her.
One of them offered her a ready-made cigarette. This in itself I saw as
a treat, since my father rolled his own and so did every other man I
knew. But Peggy shook her head and complained in that hurt voice that
she did not smoke. Then the other man offered a stick of gum, and she
accepted it.
What was going on? I had no way of knowing. The boy who had offered the
gum noticed me, while rummaging in his pocket, and he said, “Peggy?
Peggy, here’s a little girl I think wants to go upstairs.”
She dropped her head so I couldn’t look into her face. I smelled
perfume as I went by. I smelled their cigarettes too and their manly
woollen uniforms, their polished boots.
When I came downstairs with my coat on they were still there, but this
time they had been expecting me, so they all kept quiet while I passed.
Except that Peggy gave one loud sniffle, and the young man nearest to
her kept stroking her upper leg. Her skirt was pulled up and I saw the
fastener holding her stocking.
For a long time I remembered the voices. I pondered over the voices.
Not Peggy’s. The men’s. I know now that some of the Air Force men
stationed at Port Albert early in the war had come out from England,
and were training there to fight the Germans. So I wonder if it was the
accent of some part of Britain that I was finding so mild and
entrancing. It was certainly true that I had never in my life heard a
man speak in that way, treating a woman as if she was so fine and
valued a creature that whatever it was, whatever unkind- ness had come
near her, was somehow a breach of a law, a sin.
What did I think had happened to make Peggy cry? The question did not
much interest me at the time. I was not a brave person myself. I cried
when chased and beaten with shingles on the way home from my first
school. I cried when the teacher in the town school singled me out, in
front of the class, to expose the shocking untidiness of my desk. And
when she phoned my mother about the same problem and my mother hanging
up the phone herself wept, enduring misery because I was not a credit
to her. It seemed as though some people were naturally brave and others
weren’t. Somebody must have said something to Peggy, and there she was
snuffling, because like me she was not thick-skinned.
It must have been that orange-dressed woman who had been mean, I
thought, for no particular reason. It had to have been a woman. Because
if it had been a man, one of her Air Force comforters would have
punished him. Told him to watch his mouth, maybe dragged him outside
and beaten him up.
So it wasn’t Peggy I was interested in, not her tears, her crumpled
looks. She reminded me too much of myself. It was her comforters I
marvelled at. How they seemed to bow down and declare themselves in
front of her.
What had they been saying? Nothing in particular. All right, they said.
It’s all right, Peggy, they said. Now, Peggy. All right. All right.
Such kindness. That anybody could be so kind.
It is true that these young men, brought to our country to train for
bombing missions on which so many of them would be killed, might have
been speaking in the normal accents of Cornwall or Kent or Hull or
Scotland. But to me they seemed to be unable to open their mouths
without uttering some kind of blessing, a blessing on the moment. It
didn’t occur to me that their futures were all bound up with disaster,
or that their ordinary lives had flown out the window and been smashed
on the ground. I just thought of the blessing, how wonderful to get on
the receiving end of it, how strangely lucky and undeserving was that
Peggy.
And, for I don’t know how long, I thought of them. In the cold dark of
my bedroom they rocked me to sleep. I could turn them on, summon up
their faces and their voices—but oh, far more, their voices were now
directed to myself and not to any unnecessary third party. Their hands
blessed my own skinny thighs and their voices assured me that I, too,
was worthy of love.
And while they still inhabited my not yet quite erotic fantasies they were gone. Some, many, gone for good.